1 00:00:00,000 --> 00:00:05,180 2 00:00:05,180 --> 00:00:05,930 CONNOR HARRIS: Hi. 3 00:00:05,930 --> 00:00:06,820 Im Connor Harris. 4 00:00:06,820 --> 00:00:09,729 Im 'a CS50 CA ad Harvard. 5 00:00:09,729 --> 00:00:11,270 STEPHANUS KREWSON: Ego sum Stephano Krewson. 6 00:00:11,270 --> 00:00:12,582 Im 'a TF pro CS50 ad Yale. 7 00:00:12,582 --> 00:00:15,790 CONNOR HARRIS et erant 'iens loqui aliquam vitae, quod tibi fortitudinem 8 00:00:15,790 --> 00:00:18,880 uti velis, si non es interested aut certe facere finalis project 9 00:00:18,880 --> 00:00:20,920 aliquid music. 10 00:00:20,920 --> 00:00:24,400 Sumamus positus prius programming lingua dicitur Haskell. 11 00:00:24,400 --> 00:00:26,280 Suus 'a muneris lingua, ut paradigma 12 00:00:26,280 --> 00:00:29,620 longe alia C PHP or other languages ​​imperative 13 00:00:29,620 --> 00:00:33,450 ut youve 'iam usi sumus, praesertim in a library scriptum in Haskell 14 00:00:33,450 --> 00:00:40,240 Euterpea dicitur, quod can succurro populus cum musica scribens officiatorie, 15 00:00:40,240 --> 00:00:40,780 basically. 16 00:00:40,780 --> 00:00:43,400 Stephanus autem ambulabimus vobis Habet magnum exemplum. 17 00:00:43,400 --> 00:00:46,423 >> Sic ego induco vos LillyPond aliquid dicitur, quod 18 00:00:46,423 --> 00:00:48,370 nulla est enim typesetting musica. 19 00:00:48,370 --> 00:00:50,830 Suus 'quasi amo LaTeX musicam Si quis autem vestrum 20 00:00:50,830 --> 00:00:57,530 usi LaTeX pro math classes aut Quid autem habes alia classes set P. 21 00:00:57,530 --> 00:01:00,440 Et dabo iterum aliquod simplex exempla illius 22 00:01:00,440 --> 00:01:03,640 et punctum in communi moderamine alicuius certiores opes. 23 00:01:03,640 --> 00:01:04,319 >> STEPHANUS KREWSON: In Praeterea, necessarium duximus significare 24 00:01:04,319 --> 00:01:06,720 esset frigus erigat paucum innuit 25 00:01:06,720 --> 00:01:10,780 ad pipeline inter Euterpea-generatur MIDI files 26 00:01:10,780 --> 00:01:13,910 in LillyPond, ideo provide quidam etiam catecheticis scripts 27 00:01:13,910 --> 00:01:16,310 facere quod estis dummodo cum LillyPond 28 00:01:16,310 --> 00:01:19,160 iustus patefacio radix custodes ut custodirent eam et adepto a pipeline iens. 29 00:01:19,160 --> 00:01:20,910 CONNOR HARRIS: apud eundem, nos volumus, 30 00:01:20,910 --> 00:01:23,100 hae duae vitae, vobis non uti eis. 31 00:01:23,100 --> 00:01:25,370 Ipsi erant 'non ordinatur ad opus simul tamen bene faciunt. 32 00:01:25,370 --> 00:01:26,362 >> STEPHANUS KREWSON: Recte. 33 00:01:26,362 --> 00:01:30,116 Et liberum. 34 00:01:30,116 --> 00:01:32,240 CONNOR HARRIS: So recognitiones, sicut legimus. 35 00:01:32,240 --> 00:01:33,406 STEPHANUS KREWSON: Rite nobilitare. 36 00:01:33,406 --> 00:01:36,360 Gratias illis folks. 37 00:01:36,360 --> 00:01:39,180 Hoc maneat iustis ad instar puncti. 38 00:01:39,180 --> 00:01:41,560 Installation processus est aliquantulus frenum ancipiti captioni isse obviam. 39 00:01:41,560 --> 00:01:45,420 Nos a legar, mecum pariter in GitHub ut vos can take a inviso. 40 00:01:45,420 --> 00:01:47,840 Quemadmodum si quis quaestiones email. 41 00:01:47,840 --> 00:01:52,829 Sed sub te dato decurrere hoc opus omnibus. 42 00:01:52,829 --> 00:01:55,620 CONNOR HARRIS: Et si non potes operari LillyPond adepto nihil pensi habebat. 43 00:01:55,620 --> 00:02:00,139 Illic 'haud live scribendarum quod interest ut saltem mei. 44 00:02:00,139 --> 00:02:02,930 STEPHANUS KREWSON: et Haskell LillyPond installers ius utrumque secuturum. 45 00:02:02,930 --> 00:02:08,497 Euterpea downloaded est ut a sarcina, et sic de aliis huiusmodi. 46 00:02:08,497 --> 00:02:10,080 Ita et nos erant 'sermo super computer music. 47 00:02:10,080 --> 00:02:12,990 Et hoc nihil aliud est quam nimis 50,000 visum pede. 48 00:02:12,990 --> 00:02:15,700 Non pauca alia ratio est. 49 00:02:15,700 --> 00:02:18,120 Et hoc est aspera et iens ut aliquid ex obscurare. 50 00:02:18,120 --> 00:02:22,090 Sed posset cogitare aliquid sicut algorithmic compositionem, 51 00:02:22,090 --> 00:02:24,920 usura algorithms, usura code, generare 52 00:02:24,920 --> 00:02:30,280 nonnullus typus of-- maybe a sui similibus sequence notularum, vel maybe notes 53 00:02:30,280 --> 00:02:33,330 sub aliqua coactione. 54 00:02:33,330 --> 00:02:35,350 Et tunc posset esse ponendis vel interpretatum 55 00:02:35,350 --> 00:02:38,390 cum Analog instrumenta aut aliquid huiusmodi. 56 00:02:38,390 --> 00:02:42,010 Sed compositio erat factum algorithmically. 57 00:02:42,010 --> 00:02:45,120 >> Sed cursus, fortasse spatium aut computer music music 58 00:02:45,120 --> 00:02:48,870 nos magis nota est digital synthesis sonus aut digital sampling 59 00:02:48,870 --> 00:02:51,160 et digital recording. 60 00:02:51,160 --> 00:02:55,650 Multus of digital instrumenta per digital sampling. 61 00:02:55,650 --> 00:03:00,110 Nam quid sit in una adhibita forma sanae font library elit. 62 00:03:00,110 --> 00:03:02,850 >> Tamen illic 'aliquid dicitur digital synthesis eorum qui egressi sunt 63 00:03:02,850 --> 00:03:08,650 quondam '70s et' 80s cum Et Yamaha John Chowning at Stanford 64 00:03:08,650 --> 00:03:11,990 faciens FM aut synthesis Frequency Modulation synthesis, 65 00:03:11,990 --> 00:03:15,100 ubi habuisti tabellarius et signum a modulating signum 66 00:03:15,100 --> 00:03:18,270 tam in spectrum audio. 67 00:03:18,270 --> 00:03:22,570 Sed quid nos focused hodie est aliquid dicitur MIDI, 68 00:03:22,570 --> 00:03:25,040 et quidem algorithmic compositio. 69 00:03:25,040 --> 00:03:30,940 >> Lorem ipse facturus instrumentorum sed non sumus facturi quidam musica, 70 00:03:30,940 --> 00:03:33,940 Quin et subinde iactabat mos adepto interpretatum per quaedam instrumenta his, qui 71 00:03:33,940 --> 00:03:38,300 conformes sunt ad MIDI vexillum generalis. 72 00:03:38,300 --> 00:03:40,830 Quid MIDI? 73 00:03:40,830 --> 00:03:45,550 Im 'non iens ut altius in eam sed data est MIDI transfer protocollo. 74 00:03:45,550 --> 00:03:49,250 Suus 'a genere dux trans diversis manipulis et industrias 75 00:03:49,250 --> 00:03:52,250 ordinandis sonis vel inaequaliter. 76 00:03:52,250 --> 00:03:54,170 Ita et nos youll 'animadverto ut illic 'a vexillum MIDI 77 00:03:54,170 --> 00:03:57,500 diffugiebat enim varium percussionis MIDI sonis certis ac commendatione 78 00:03:57,500 --> 00:04:01,360 diffugiebat enim varium genera vel synth diversa genera omne vas 79 00:04:01,360 --> 00:04:03,650 coetus in orchestra tradunt. 80 00:04:03,650 --> 00:04:08,916 >> Vos es forsit familiar cum 0 per CXXVII MIDI nuntius. 81 00:04:08,916 --> 00:04:12,920 A MIDI signum est typice unum mandit significans 82 00:04:12,920 --> 00:04:16,130 utrum data sit sive status fasciculum, et tunc illic ' 83 00:04:16,130 --> 00:04:18,589 septem bits of a signo. 84 00:04:18,589 --> 00:04:21,430 Et ista possunt temperare omnia ex volumine 85 00:04:21,430 --> 00:04:25,330 ad actionem vel pressura tamen in particulari key 86 00:04:25,330 --> 00:04:29,400 et si quid faciendo midi ac moderatorem quidem 87 00:04:29,400 --> 00:04:31,250 notes. 88 00:04:31,250 --> 00:04:33,450 Et sane, habet MIDI fuit valde utilis, 89 00:04:33,450 --> 00:04:37,550 quoniam suus 'a via filum simul aut primula catena 90 00:04:37,550 --> 00:04:41,570 fasciculum MIDI hardware fabrica. 91 00:04:41,570 --> 00:04:44,050 Septem vel octo retro habeo domi. 92 00:04:44,050 --> 00:04:46,610 Sudatio vere turpis, tamen suus 'vere potens. 93 00:04:46,610 --> 00:04:47,460 Et suus 'vere senex. 94 00:04:47,460 --> 00:04:51,117 Sed de prima '80s, et Bene suus minor. 95 00:04:51,117 --> 00:04:51,950 CONNOR HARRIS: Yeah. 96 00:04:51,950 --> 00:04:54,230 Omnes classic Nintendo video ludos probabiliter noluit 97 00:04:54,230 --> 00:04:56,088 MIDI musicam non enim. 98 00:04:56,088 --> 00:04:59,550 99 00:04:59,550 --> 00:05:01,740 >> STEPHANUS KREWSON: Hic est MIDI genere exemplum, 100 00:05:01,740 --> 00:05:06,520 ostendens MIDI quasi quaedam generalium protocollo. 101 00:05:06,520 --> 00:05:13,280 Et hoc modo potest esse in differentia inter specificationem 102 00:05:13,280 --> 00:05:17,830 quod ibi sit aliquid simile haec instrumentum sonat et actualem 103 00:05:17,830 --> 00:05:21,740 realization in ipsis instrumentis soni sonus in font vel a particulari MIDI 104 00:05:21,740 --> 00:05:25,740 synthesizer quod sit differentia inter maybe a typeface-- quae dicit, 105 00:05:25,740 --> 00:05:30,350 in genere hoc consilium hoc modo ad repraesentandum 106 00:05:30,350 --> 00:05:35,907 characters-- et a particulari font magnitudinem habentis speciem sono 107 00:05:35,907 --> 00:05:37,240 et illic 'effectio the-- 108 00:05:37,240 --> 00:05:39,156 >> CONNOR HARRIS: Forsitan a convenientius exemplum inveniri voluit 109 00:05:39,156 --> 00:05:43,430 erit vexillum Unicode redemptor dat numerus omnium mores se 110 00:05:43,430 --> 00:05:46,830 et linguis habitantibus in mundum, a paro of ingens scripts linguae 111 00:05:46,830 --> 00:05:51,310 in mundo sunt et aliquid reddatur in graphical 112 00:05:51,310 --> 00:05:53,710 variis font packages. 113 00:05:53,710 --> 00:05:56,630 Et sane potes cogitare MIDI sicut Unicode soni. 114 00:05:56,630 --> 00:06:03,250 Quod suus 'iustus index of-- umectat flumine voltum rerum rem nummariam whatnot, 115 00:06:03,250 --> 00:06:06,090 et seorsum tibi progressio, quasi typeface, 116 00:06:06,090 --> 00:06:08,537 reddere quod in aliquid ut 'audibile. 117 00:06:08,537 --> 00:06:12,360 118 00:06:12,360 --> 00:06:13,780 >> STEPHANUS KREWSON: quare Haskell? 119 00:06:13,780 --> 00:06:19,110 Haskell est eget programming lingua, exactae, 120 00:06:19,110 --> 00:06:22,770 dissimilis valde ab C, dissimilis valde ab PHP. 121 00:06:22,770 --> 00:06:28,120 Et quod suus 'iens ut ease functio compositio in Haskell 122 00:06:28,120 --> 00:06:37,640 ut liceat per aura componendo vel usque typing, referendo, 123 00:06:37,640 --> 00:06:42,160 aliquid simile Frere Jacques, hoc carmen simplex quod 124 00:06:42,160 --> 00:06:46,815 multum in ea parte per se vel similia repetens. 125 00:06:46,815 --> 00:06:49,740 126 00:06:49,740 --> 00:06:53,250 Et hoc erit ex causam cur enim manet 127 00:06:53,250 --> 00:06:59,400 nos erant 'usura Haskell, in quo functiones sunt primi cives inferioris ordinis. 128 00:06:59,400 --> 00:07:01,120 >> Et voluit se extendunt hoc pauco. 129 00:07:01,120 --> 00:07:08,800 Suus parum facilis notate Frere Jacques in Haskell. 130 00:07:08,800 --> 00:07:12,100 Sed quid si voluimus addere drum partem? 131 00:07:12,100 --> 00:07:17,320 Quid voluimus facere velint vas quoddam velut linteum Roland DCCCVIII vel CMIX drum 132 00:07:17,320 --> 00:07:20,970 apparatus qua tu XVI de diversis gradibus? 133 00:07:20,970 --> 00:07:24,590 Solet haec cogitatur ut 16th notes. 134 00:07:24,590 --> 00:07:28,640 Et vos potest moderari global tempo et excerpere 135 00:07:28,640 --> 00:07:34,620 fasciculum diversis partibus percussionis of bass tympanum, et plaudet, diversis laqueorum ingredieris, 136 00:07:34,620 --> 00:07:37,540 aperta et clausis excelsum hats in his enim canales, 137 00:07:37,540 --> 00:07:41,600 tunc vos can vel eq accommodent volumine. 138 00:07:41,600 --> 00:07:45,290 >> Et nos youll 'animadverto a nice via in Haskell rei repraesentandae causa ego morsque dividimur 139 00:07:45,290 --> 00:07:48,810 sequencer cum omnibus quae in variis frigus Haskell 140 00:07:48,810 --> 00:07:53,100 possumus cum generando lists et filtering super lists, 141 00:07:53,100 --> 00:07:56,060 mapping super lists, mapping functiones super limites. 142 00:07:56,060 --> 00:07:59,530 143 00:07:59,530 --> 00:08:00,760 Et excusatione a velox. 144 00:08:00,760 --> 00:08:05,300 Hoc est a valde intercise et velox nimis sketch 145 00:08:05,300 --> 00:08:07,620 quorundam aspectibus of Haskell et Euterpea, 146 00:08:07,620 --> 00:08:11,760 quae est a domain-specifica immersa lingua scriptum 147 00:08:11,760 --> 00:08:14,970 in Haskell pro musicorum genera. 148 00:08:14,970 --> 00:08:17,350 Lorem placet codice online. 149 00:08:17,350 --> 00:08:22,404 Accenderet GHCI, quod est Glasgow Haskell Compiler Interpres. 150 00:08:22,404 --> 00:08:24,320 Et youll 'exsisto faciendo aliquam huius in pauco 151 00:08:24,320 --> 00:08:25,880 sic vos can animadverto quam suus 'perfectus. 152 00:08:25,880 --> 00:08:31,021 >> Et cum in hoc sino vos ut oneratis the-- syntax est colon et tunc 153 00:08:31,021 --> 00:08:31,520 imperium. 154 00:08:31,520 --> 00:08:33,510 Vos can oneratis in lima. 155 00:08:33,510 --> 00:08:36,840 Vos can utor his files browse et videat exterminium omne quod functiones 156 00:08:36,840 --> 00:08:39,169 in particulari module. 157 00:08:39,169 --> 00:08:43,850 Denique videbimus, genera type hi Haskell eximium, 158 00:08:43,850 --> 00:08:48,850 sic vos can usquequaque check-- praesertim si quid opus novum DSCL 159 00:08:48,850 --> 00:08:51,600 id quod est musicum type? 160 00:08:51,600 --> 00:08:55,114 Scio de via numeric genera operari in Haskell, 161 00:08:55,114 --> 00:08:56,530 sed nescio quam de musica. 162 00:08:56,530 --> 00:09:01,280 Vos can explorare modo haerent definitur per hoc t typum vel praeceptum 163 00:09:01,280 --> 00:09:04,577 et tunc vocat in particulari munus vel a notitia obiecti. 164 00:09:04,577 --> 00:09:05,410 CONNOR HARRIS: Yeah. 165 00:09:05,410 --> 00:09:09,820 Si vobis remissurum putastis, C ignem durus amor erat Hardass circa genera, 166 00:09:09,820 --> 00:09:11,230 vos have no idea de Haskell. 167 00:09:11,230 --> 00:09:14,230 Bonus est rei Haskell Si vos can adepto vestri codice concinnare 168 00:09:14,230 --> 00:09:16,790 et si Haskell type reprehendo, suus 'forsit a dextris, 169 00:09:16,790 --> 00:09:18,675 ratio est quia tam arctam type. 170 00:09:18,675 --> 00:09:20,090 >> STEPHANUS KREWSON: Yeah. 171 00:09:20,090 --> 00:09:21,980 Sic EGO iustus volo ut vado through-- et iterum, 172 00:09:21,980 --> 00:09:27,160 hoc non facit pauca iudicio Haskell lineamentis ut saltem 173 00:09:27,160 --> 00:09:31,780 quibus autem apparuerit in suo creators-- nuper 1980s fasciculum a populo 174 00:09:31,780 --> 00:09:34,610 a commissionibus circiter XX people-- putabam important. 175 00:09:34,610 --> 00:09:36,850 Et primum ipsi taxatur in chartae 176 00:09:36,850 --> 00:09:41,890 describitur genesi Haskell primis annis XX aut 177 00:09:41,890 --> 00:09:43,390 erat quia piger. 178 00:09:43,390 --> 00:09:44,990 Et quid hoc sibi vult? 179 00:09:44,990 --> 00:09:49,860 >> Atqui cum sit qualecunque locutionibus non oportet aestimare. 180 00:09:49,860 --> 00:09:54,390 Et hoc facit in Haskell vocatio per necessitatem aut a non-artam uiam adirent. 181 00:09:54,390 --> 00:09:57,250 Id est, si habere fasciculum tium nostra expressione, 182 00:09:57,250 --> 00:10:00,660 conamur moram Aestimatio illorum subcomponents 183 00:10:00,660 --> 00:10:05,300 donec tandem absolute minute-- id est, usque actu indigetis. 184 00:10:05,300 --> 00:10:08,480 >> Et hoc est quod means-- realiter frigus, praesertim 185 00:10:08,480 --> 00:10:13,200 simus cogitare abstractione of a step sequencer musicum. 186 00:10:13,200 --> 00:10:16,740 Quoniam propter vos satus currit ego morsque dividimur sequence-- 187 00:10:16,740 --> 00:10:20,010 si umquam laborabat drum nam perstat machine-- et saecula. 188 00:10:20,010 --> 00:10:24,650 Vnde satius esset, si vere nice tantam poterit quod in Haskell. 189 00:10:24,650 --> 00:10:31,040 Et potest in infinitum valores, in particularibus infinitis limites. 190 00:10:31,040 --> 00:10:35,860 Suus 'facillimus ut typus an infinite in Haskell list. 191 00:10:35,860 --> 00:10:39,230 Vos could iustus utor syntax descendit Hic ubi per III I vides, 192 00:10:39,230 --> 00:10:42,440 tollere III I dot dot, et quod est infinitum list 193 00:10:42,440 --> 00:10:46,960 omnium numerorum naturalium extendendo in quantum potest imaginari. 194 00:10:46,960 --> 00:10:49,925 >> Volo inducere conceptus caulas ilicet. 195 00:10:49,925 --> 00:10:51,800 Et iterum propositum hujus seminar non 196 00:10:51,800 --> 00:10:55,770 discere in caulas Haskell aut superioris ordinis functiones. 197 00:10:55,770 --> 00:10:59,640 Sed ut vis inducere Ridiculum quam accurate reddere sensum 198 00:10:59,640 --> 00:11:03,700 Haskell est et quanta sit. 199 00:11:03,700 --> 00:11:08,000 In primis iens be-- Quando enim facimus voluntatem nostram drum diversis partibus, 200 00:11:08,000 --> 00:11:12,790 erant 'iens ut deformetur Lepidique tabulis: numeri, se invicem tenens aperiebatur illis onto invicem. 201 00:11:12,790 --> 00:11:17,290 Et facere, certe usura maps et praetemptato sinu. 202 00:11:17,290 --> 00:11:21,770 >> Illic 'a dextris associative duplici quae est una 203 00:11:21,770 --> 00:11:26,990 here-- I minus quantitas, II minus quantitas, minus III 0. 204 00:11:26,990 --> 00:11:29,170 Et syntax pro ovili pecus, tu das caulas 205 00:11:29,170 --> 00:11:34,680 a basi valorem et tunc operation-- hic addita vel subtracta. 206 00:11:34,680 --> 00:11:36,280 Ive 'ostensum est utrobique. 207 00:11:36,280 --> 00:11:41,760 Et tunc illic 'an quod accumulator accumulat totius list, 208 00:11:41,760 --> 00:11:46,330 applicandis multiplici nimirum plus vel operator minus, et conquirunt ea. 209 00:11:46,330 --> 00:11:52,680 Et si dictus erit the-- cum plus 0 r ovili incipiens 0 210 00:11:52,680 --> 00:11:54,720 volumus ergo sum omnibus numeri in eo prodidit numero. 211 00:11:54,720 --> 00:11:57,134 Et quod est in I de index III. 212 00:11:57,134 --> 00:12:00,050 CONNOR HARRIS: ergo vel aliud via ovili r fit tribus rationibus. 213 00:12:00,050 --> 00:12:02,540 Illic 'a functio, se similis duo argumenta, 214 00:12:02,540 --> 00:12:05,400 tunc illic 'a starter pretium illic 'matione list. 215 00:12:05,400 --> 00:12:08,570 Quid tu facis starter valorem, primum valorem, 216 00:12:08,570 --> 00:12:09,850 mittent eos in caminum munus. 217 00:12:09,850 --> 00:12:11,607 Quid tu exies inde, tollere, quod feed 218 00:12:11,607 --> 00:12:13,940 in functio secundum valorem, quod exire 219 00:12:13,940 --> 00:12:16,690 tollere, ut pascatur in functionem quamcunque ipsius tertia valorem. 220 00:12:16,690 --> 00:12:18,740 Et tunc si vos vado tenus hoc totum list hoc modo, 221 00:12:18,740 --> 00:12:22,970 vestri 'iens impetro eventually aliquod singulare ut ' 222 00:12:22,970 --> 00:12:25,720 verumtamen quod coepistis eiusdem generis et cum eiusdem 223 00:12:25,720 --> 00:12:29,147 tanquam in album, et quod in reditu ex ovili R. 224 00:12:29,147 --> 00:12:31,980 STEPHANUS KREWSON sic in particulari, hos quoque eminentiores sunt alii ordinem functiones, 225 00:12:31,980 --> 00:12:34,460 quia erant 'accipiens alium rationum actum sistunt. 226 00:12:34,460 --> 00:12:34,770 >> CONNOR HARRIS: Yeah. 227 00:12:34,770 --> 00:12:37,820 Si youve 'adsuesco assuesco aliis quibusdam languages-- scio R, [tacita] 228 00:12:37,820 --> 00:12:41,510 linguam habet, dicitur Redigo. 229 00:12:41,510 --> 00:12:45,460 Vos vires have hujusmodi in aliis linguis, quemadmodum dicitur 230 00:12:45,460 --> 00:12:48,160 in diversa rapitur. 231 00:12:48,160 --> 00:12:50,680 >> STEPHANUS KREWSON: Et quid suus 'nice quod de ovili pecus R 232 00:12:50,680 --> 00:12:53,880 in hoc instantiae est penes ovili R potest operari cum infinito exeant. 233 00:12:53,880 --> 00:12:59,490 Ita in hoc fundo, hoc P5 quod est generans notes 234 00:12:59,490 --> 00:13:03,120 vertuntur in step pro sequencer drum aliqua pars quinta pars drum, 235 00:13:03,120 --> 00:13:05,480 et maybe suus 'a conga drum aut aliquid. 236 00:13:05,480 --> 00:13:09,719 Et hoc est ex certa scientia obtuse modo haec scribebam, 237 00:13:09,719 --> 00:13:11,510 tamen suus 'fun, quia demonstrat multum 238 00:13:11,510 --> 00:13:14,460 et de rerum Haskell Euterpea. 239 00:13:14,460 --> 00:13:20,650 >> Ita R mutabis huius colon-- colon iustum an operator cornupeta rerum 240 00:13:20,650 --> 00:13:25,700 simul a list-- invocavit inani album, quod est vacuum uncis. 241 00:13:25,700 --> 00:13:28,250 Et ego vocando on this infinita list. 242 00:13:28,250 --> 00:13:31,570 Hoc fit actualiter duo lists unum additur alteri, descendit hic. 243 00:13:31,570 --> 00:13:37,150 Album comma VI I dot dot is I, VI, XI, XVI. 244 00:13:37,150 --> 00:13:39,750 Ita sicut in Haskell-- paucis personas, 245 00:13:39,750 --> 00:13:42,420 potest generare totum serie numerorum 246 00:13:42,420 --> 00:13:46,240 quod sunt quinque numeros seorsum extensionem nervorumque in infinitum. 247 00:13:46,240 --> 00:13:49,860 Et quod ad prepend hoc paulo brevior list-- 248 00:13:49,860 --> 00:13:54,370 III, VIII, sicut ostendere 21-- responderis quomodo possum intellegere concatenate limites. 249 00:13:54,370 --> 00:13:55,790 >> Et Ive 'involvit in ipsum. 250 00:13:55,790 --> 00:14:01,510 Et tandem iusta quadam identitatem operationem, tamen suus 'infinitum. 251 00:14:01,510 --> 00:14:06,070 R et duplex potest esse, quia lazily evaluates, ut in superiore. 252 00:14:06,070 --> 00:14:10,582 I et II et III Si habere possumus reliqua totius bracket iustus off. 253 00:14:10,582 --> 00:14:12,290 Qui non vult operari quia plus vel minus, sed 254 00:14:12,290 --> 00:14:17,760 hoc faciet colon identitatem operatio in list. 255 00:14:17,760 --> 00:14:24,620 >> Sic quam operor nos fere utuntur, ut si is enumerabat perplurima quae infinita? 256 00:14:24,620 --> 00:14:26,500 Bene, Haskell providet multum functions-- 257 00:14:26,500 --> 00:14:29,450 et respice apposuit amplius venire in haec vestri tempore suo ut tollat 258 00:14:29,450 --> 00:14:32,200 qua dictum urna sumus generandi hoc list infinitum, 259 00:14:32,200 --> 00:14:35,950 sed erant 'iustus iens ut aliquam In hoc numero est case-- 260 00:14:35,950 --> 00:14:38,410 puteus 'animadverto in hoc enim postea quaeretur nostri apparatus drum code-- 261 00:14:38,410 --> 00:14:43,740 GM est aliquod genus global variabilis pro numero gressus 262 00:14:43,740 --> 00:14:44,610 in sequencer. 263 00:14:44,610 --> 00:14:47,630 On the roll-I in machinis Indicabo tibi, ut 'typice XVI, 264 00:14:47,630 --> 00:14:51,475 sed ego implemented cum XXXII. 265 00:14:51,475 --> 00:14:54,470 Non vere materiam. 266 00:14:54,470 --> 00:15:00,230 >> Haskell est purum, ita habet fortis stabilis typing quod Connor assignavit. 267 00:15:00,230 --> 00:15:03,220 Sic functiones mathematica in sense-- 268 00:15:03,220 --> 00:15:06,600 haerent magis mathematicis quod ipsi erant 'praestati 269 00:15:06,600 --> 00:15:11,530 non obvius vel mutare qualemcumque variabilis munusve faceret aut input output. 270 00:15:11,530 --> 00:15:14,420 Munus igitur iudicia si habueritis, suus 'deterministic. 271 00:15:14,420 --> 00:15:17,400 Semper, reddit eandem valet institutio in statu 272 00:15:17,400 --> 00:15:19,310 aut eaedem manebunt. 273 00:15:19,310 --> 00:15:22,940 Sunt sane, monadic exceptiones Hoc autem quod est extra scopum. 274 00:15:22,940 --> 00:15:23,900 >> CONNOR HARRIS: Yeah. 275 00:15:23,900 --> 00:15:26,946 Quid sit hoc, quamquam est sunt pauci momenti [tacita] 276 00:15:26,946 --> 00:15:27,820 consectaria huius. 277 00:15:27,820 --> 00:15:30,940 Unus quidem est id dictu facillimum parallelize Haskell progressio. 278 00:15:30,940 --> 00:15:32,773 Quia si habetis, dicunt, quod functio 279 00:15:32,773 --> 00:15:36,064 oportet operari bona decies si scitis quod ratio semper 280 00:15:36,064 --> 00:15:39,280 idem prodest si distribuero in cibos pauperum audetis vesci quodam value-- 281 00:15:39,280 --> 00:15:43,055 si vestri '[tacita] f I, f II, tunc f III vel whatnot-- f I 282 00:15:43,055 --> 00:15:45,180 est non iens ad scribendam dictavi ut a file aut aliquid 283 00:15:45,180 --> 00:15:46,850 quod mutare valor ipsius f2. 284 00:15:46,850 --> 00:15:50,220 Vos can iustus ad hoc munus discissa million diversis instrumentis vel a million 285 00:15:50,220 --> 00:15:54,720 vel quidquid aliud fila, congrega omnes responsa retro, 286 00:15:54,720 --> 00:15:56,900 congrega omnes reditum valores , mox id est. 287 00:15:56,900 --> 00:15:59,780 Parallelize tam facilis res ulla est. 288 00:15:59,780 --> 00:16:03,140 >> In downside est quod input et maxime output 289 00:16:03,140 --> 00:16:05,720 fit in type system in viis admodum complicatis. 290 00:16:05,720 --> 00:16:09,010 Non nunc intro, ego Intueamur aliqua similia vos cohortentur ac opibus 291 00:16:09,010 --> 00:16:11,175 Si vis scire hoc online. 292 00:16:11,175 --> 00:16:13,960 293 00:16:13,960 --> 00:16:16,550 >> STEPHANUS KREWSON: So type classes-- et hoc 294 00:16:16,550 --> 00:16:21,610 was-- classes typorum reperiebantur solvere 295 00:16:21,610 --> 00:16:24,160 Difficultas operator obruuntur. 296 00:16:24,160 --> 00:16:27,590 Ita et nos voluit habere aequalitatem inter diversa genera rerum. 297 00:16:27,590 --> 00:16:31,040 Sane si intelligeremus of-- aequalitas inter genera numeric 298 00:16:31,040 --> 00:16:34,720 perfacile esse, sed quid aequalitas inter litterarum vetustatem 299 00:16:34,720 --> 00:16:37,610 Quid aequalitas inter arboris crure data structurae? 300 00:16:37,610 --> 00:16:43,130 Et hoc est possibile in Haskell propter type classes. 301 00:16:43,130 --> 00:16:48,000 >> Sic si vos definire quodam data type-- et hic, haec sunt sonorum musicorum. 302 00:16:48,000 --> 00:16:50,960 Sumamus denique questus quibusdam computer music. 303 00:16:50,960 --> 00:16:57,420 Est itaque C, D, et sic de similibus. 304 00:16:57,420 --> 00:17:01,080 Pertinent ad fasciculum dissimillimo ex genere distinguebant classes. 305 00:17:01,080 --> 00:17:03,510 EQ-- pertinent ad EQ type genus. 306 00:17:03,510 --> 00:17:06,780 Eo pacto prorsum patrocinaturum aequalitas operationes. 307 00:17:06,780 --> 00:17:12,650 Sic vos can decernant, num unus sequence musicorum primitives 308 00:17:12,650 --> 00:17:15,400 alius idem. 309 00:17:15,400 --> 00:17:17,280 >> Ordinalis genus pertinent. 310 00:17:17,280 --> 00:17:19,479 Eo pacto prorsum illic ordinem earum. 311 00:17:19,479 --> 00:17:27,670 D post C. C acutum post C pariter. 312 00:17:27,670 --> 00:17:29,840 Pertineant ad classem ostendere, quod non possunt 313 00:17:29,840 --> 00:17:33,000 typis ad console aut terminal. 314 00:17:33,000 --> 00:17:36,090 Quae pertinent ad Sedem class commemorantur quos genuit, quae 315 00:17:36,090 --> 00:17:39,770 significat quod tametsi haec sunt characters, 316 00:17:39,770 --> 00:17:45,340 habent subiecta numeric repraesentatione satus procul 0 317 00:17:45,340 --> 00:17:48,960 et tamen per abscessum Multa hic aut XX, 318 00:17:48,960 --> 00:17:51,770 XXX vel XL vel fortasse. 319 00:17:51,770 --> 00:17:54,259 >> CONNOR HARRIS: cumque habemus a notitia typus 320 00:17:54,259 --> 00:17:57,050 quod derives-- cum keyword "Deriving--" quaedam genere, 321 00:17:57,050 --> 00:18:01,160 probabile est quod compilator construere aliquid automatically. 322 00:18:01,160 --> 00:18:05,120 Sic maybe youll 'volo aliter definire qualitas. 323 00:18:05,120 --> 00:18:09,450 Youll definire velimus D C aequales enim. 324 00:18:09,450 --> 00:18:11,560 Cum huius constructionis communia hic puto C 325 00:18:11,560 --> 00:18:14,940 et D flat aequalis erit, quia compilator mos automatically 326 00:18:14,940 --> 00:18:19,670 dicet unusquisque unam alteramve value esse distinctum ab omni alio. 327 00:18:19,670 --> 00:18:22,930 >> Et ideo potest esse dominari defaltam implementations 328 00:18:22,930 --> 00:18:25,730 horum genera classes. 329 00:18:25,730 --> 00:18:28,640 Iam vero, si referatur vis discere ut. 330 00:18:28,640 --> 00:18:31,767 331 00:18:31,767 --> 00:18:33,600 STEPHANUS KREWSON: Et hic in actu, hoc faciam, 332 00:18:33,600 --> 00:18:36,930 utiles esse cum Codicis postea. 333 00:18:36,930 --> 00:18:42,150 Videmus in eo aliquid de infix operariorum nam sequential compositionem, 334 00:18:42,150 --> 00:18:46,570 parallel compositionem, et ideo egressus est, et haec pluses aequalis signa 335 00:18:46,570 --> 00:18:48,620 circumdederunt per cola scribantur. 336 00:18:48,620 --> 00:18:53,330 Id agere possumus diversas musicum primitives altera post alteram nubere. 337 00:18:53,330 --> 00:18:54,590 Quod suus sequential compositio. 338 00:18:54,590 --> 00:18:57,170 >> Aut ludere possit sibi in parallelas simul. 339 00:18:57,170 --> 00:19:05,100 Non possum habere artisticaeque, et deinde pares et colons, 340 00:19:05,100 --> 00:19:09,669 Infix parallel compositionem operator, ludere et quasi quodam cordam. 341 00:19:09,669 --> 00:19:11,460 Et nos erant 'iens uti hoc cum jungimus 342 00:19:11,460 --> 00:19:15,080 drum parte nostra cum nostris parum Frere Jacques canticum 343 00:19:15,080 --> 00:19:19,460 ludere sequences of these two simul ipsius musicae. 344 00:19:19,460 --> 00:19:24,520 345 00:19:24,520 --> 00:19:29,250 >> Fovendorum spe is-- Curry Ultima nominare of Haskell Curry, qui 346 00:19:29,250 --> 00:19:31,850 ad imaginem Haskell denominatur. 347 00:19:31,850 --> 00:19:34,330 Et hoc nobis permittit delicatus concinnitatis quando sumus 348 00:19:34,330 --> 00:19:36,880 scribens diversis haec omnia muneribus quibuslibet fungi vel filters quod sumus 349 00:19:36,880 --> 00:19:39,330 iens futurus mapping super licias nostras. 350 00:19:39,330 --> 00:19:42,810 A functio duarum arguments-- f et x y-- 351 00:19:42,810 --> 00:19:46,630 potest repraesentari f ipsius x applicata y. 352 00:19:46,630 --> 00:19:49,800 Sic suus 'a officium uno argumento quod redit 353 00:19:49,800 --> 00:19:51,240 aliud munus unius argumenti. 354 00:19:51,240 --> 00:19:56,962 Et hoc modo potest a map f functio ipsarum x et y super list scriptor. 355 00:19:56,962 --> 00:19:58,920 CONNOR HARRIS: Wanna exemplum huius? 356 00:19:58,920 --> 00:19:59,836 STEPHANUS KREWSON: Yeah. 357 00:19:59,836 --> 00:20:05,390 Habeo ius hinc exemplum quaedam scribemus. 358 00:20:05,390 --> 00:20:10,500 Ita replicare 2-- bene, replicare tollet 359 00:20:10,500 --> 00:20:13,040 valores, qui quot times replicare aliquid, 360 00:20:13,040 --> 00:20:16,690 et capiet value-- solet a list aut aliquid. 361 00:20:16,690 --> 00:20:23,450 Sic hic sumus mapping replicare II super alium list. 362 00:20:23,450 --> 00:20:27,440 >> Si igitur map replicare II, si replicare II applicare 363 00:20:27,440 --> 00:20:31,890 ad primum elementum huius et list-- hi lists musicorum phrases-- 364 00:20:31,890 --> 00:20:37,650 producam duo "vos sleeping--" ita dormis, dormis. 365 00:20:37,650 --> 00:20:40,040 Nunc ergo habemus duos. 366 00:20:40,040 --> 00:20:42,570 Partes eius sunt duae, sed replicate summa rationum, uerum quia sumus 367 00:20:42,570 --> 00:20:47,100 fovendorum spe et mapping, possumus repraesentant replicate II 368 00:20:47,100 --> 00:20:52,310 tamquam functio redit unum argument-- iustus replicating bis. 369 00:20:52,310 --> 00:20:57,010 Et tunc erant 'applicando ut cuique dictionis elementum album. 370 00:20:57,010 --> 00:21:01,900 >> Et concat est Haskell operatio adulatione a list. 371 00:21:01,900 --> 00:21:04,400 Quia voluntas replicate II producere list of album. 372 00:21:04,400 --> 00:21:06,660 Et hoc est quod hic intermedius. 373 00:21:06,660 --> 00:21:10,365 Et tunc possumus concat vel quod ex adulacione bis. 374 00:21:10,365 --> 00:21:12,240 CONNOR HARRIS: A simplicioribus exemplum regum fovendorum spe, 375 00:21:12,240 --> 00:21:15,323 si youd like-- imagine f sit amet multiplicatio functio ut takes duabus 376 00:21:15,323 --> 00:21:16,840 argumenta et redit illarum productum. 377 00:21:16,840 --> 00:21:19,320 IV V f igitur iudicia si habueritis, suus XX. 378 00:21:19,320 --> 00:21:22,670 Sed hoc non potest esse also-- habes functio f IV 379 00:21:22,670 --> 00:21:25,560 quod fit argumentum redit et quater hoc argument-- iustus 380 00:21:25,560 --> 00:21:27,870 partial application quae sicut uno argumento IV. 381 00:21:27,870 --> 00:21:31,182 Et si pascis f of IV V et XX dabit vobis. 382 00:21:31,182 --> 00:21:32,890 Et quod suus 'a simplicioribus exemplum regum fovendorum spe. 383 00:21:32,890 --> 00:21:34,473 Nam fere de ratione usi sunt. 384 00:21:34,473 --> 00:21:38,860 385 00:21:38,860 --> 00:21:42,110 >> STEPHANUS KREWSON: Labda locutionibus aut anonymous functiones 386 00:21:42,110 --> 00:21:47,330 sunt alia Haskell peculiarem. 387 00:21:47,330 --> 00:21:51,242 Si ita necesse est ut in a flagellare parum vitae munus replicate, 388 00:21:51,242 --> 00:21:52,950 sed dico suus 'non in vexillum library, 389 00:21:52,950 --> 00:21:56,150 non bene uti possumus a syntax similiter ad sequens. 390 00:21:56,150 --> 00:21:58,730 Et certe hoc aura. 391 00:21:58,730 --> 00:22:02,160 Multum te in unum drum conditur machina scriptoribus nos erant 'faciebat calls 392 00:22:02,160 --> 00:22:05,790 ad aliquid dicitur filter, quae sensu, sicut ante, 393 00:22:05,790 --> 00:22:08,185 est mapping of functionem per album, tamen suus ' 394 00:22:08,185 --> 00:22:10,260 tabularum Boolean a functio. 395 00:22:10,260 --> 00:22:13,390 >> Sic habemus hic exemplum of an a anonymously 396 00:22:13,390 --> 00:22:19,150 munus quod definitur Boolean iustus sumit a iugo valores. 397 00:22:19,150 --> 00:22:22,990 Hoc autem non est proprie an anonymous munus. 398 00:22:22,990 --> 00:22:25,850 Tamen suus 'definire cum quod syntax breuitatis gratia, 399 00:22:25,850 --> 00:22:28,007 et hoc modo fit x moduli n-- 400 00:22:28,007 --> 00:22:28,840 CONNOR HARRIS: Yeah. 401 00:22:28,840 --> 00:22:31,330 Ut sit functio ipsius f duabus rationibus n et p 402 00:22:31,330 --> 00:22:35,440 quae et ipsa functio redit functio unius rationis, scilicet x. 403 00:22:35,440 --> 00:22:38,815 404 00:22:38,815 --> 00:22:40,690 STEPHANUS KREWSON: I vimus prefatis infix operariorum. 405 00:22:40,690 --> 00:22:42,642 Quid infix operariorum? 406 00:22:42,642 --> 00:22:45,710 Bene, infix operators sunt normali modo repraesentant operationes, 407 00:22:45,710 --> 00:22:49,910 dico, in II plus mathematics-- II instead of operante plus 408 00:22:49,910 --> 00:22:51,202 II et II et duabus rationibus. 409 00:22:51,202 --> 00:22:53,701 CONNOR HARRIS: Suus 'vocavit reverse politura notation, quod est 410 00:22:53,701 --> 00:22:55,330 Audet aliquis vestrum scire tempus dubito. 411 00:22:55,330 --> 00:22:56,288 >> STEPHANUS KREWSON: Recte. 412 00:22:56,288 --> 00:22:58,290 Reverse nitorem vel praepositione notatio. 413 00:22:58,290 --> 00:23:01,412 Sed placuit Haskell uti infix operariorum. 414 00:23:01,412 --> 00:23:03,120 Hi sunt quidam consuetudinem ones quod 415 00:23:03,120 --> 00:23:07,770 definiuntur pro Euterpea DSCL in Haskell. 416 00:23:07,770 --> 00:23:10,730 Hoc igitur sequential compositio. 417 00:23:10,730 --> 00:23:16,340 Hoc parallelam compositionis, erat truncating parallel compositio. 418 00:23:16,340 --> 00:23:18,710 Et youll 'postulo ut drum nostris machina, 419 00:23:18,710 --> 00:23:22,640 quod puteus 'utor novissimus operator in id quod est modicum ibi tuple 420 00:23:22,640 --> 00:23:26,330 ludere drum apparatus una cum Frere Jacques canticum. 421 00:23:26,330 --> 00:23:28,650 Nostri apparatus est et tympanum futurum esse infinita. 422 00:23:28,650 --> 00:23:30,920 Is iustus ludit in aeternum. 423 00:23:30,920 --> 00:23:32,692 Sed Frere Jacques carmen non. 424 00:23:32,692 --> 00:23:33,510 Suus 'non ut diu. 425 00:23:33,510 --> 00:23:36,610 Sed paucis vectes. 426 00:23:36,610 --> 00:23:43,030 Et ideo necesse est ut obturarent capita drum machine mox ut propioribus compendiis artisticaeque venit 427 00:23:43,030 --> 00:23:43,700 ad finem. 428 00:23:43,700 --> 00:23:46,980 Et quod infixed operator superessentialem benevolens cum eo est. 429 00:23:46,980 --> 00:23:50,090 >> Et quasi infix notatio hoc est genus nice, 430 00:23:50,090 --> 00:23:57,095 quoniam dixisti quia functio quasi Adducatur integer divisio quae 431 00:23:57,095 --> 00:24:01,010 x by aliquid else-- doleo, quod sit b. 432 00:24:01,010 --> 00:24:04,740 Vos could scribere quasi quote b. 433 00:24:04,740 --> 00:24:09,670 Saecularia igitur iudicia si put-- elementum est alterum exemplum hoc. 434 00:24:09,670 --> 00:24:14,730 x elementum in album, si occideritis in Backticks poteris uti. 435 00:24:14,730 --> 00:24:20,400 Quamvis non symbolum ut vel in plus vel minus, 436 00:24:20,400 --> 00:24:24,630 possis nomine munus ut in Backticks 437 00:24:24,630 --> 00:24:27,045 ut infix operator, quae est pulchellus frigus. 438 00:24:27,045 --> 00:24:29,670 CONNOR Harris: Illud omnes iusti syntactic saccharo, vere. 439 00:24:29,670 --> 00:24:32,310 Quae non ordo verborum. 440 00:24:32,310 --> 00:24:37,440 >> STEPHANUS KREWSON: Et videmus hic pro extremum nostrae Frere Jacques canticum, 441 00:24:37,440 --> 00:24:45,740 Lusi modicum vel chords tertiae usura parallel compositionem 442 00:24:45,740 --> 00:24:46,240 operator. 443 00:24:46,240 --> 00:24:50,680 444 00:24:50,680 --> 00:24:54,950 Haec est alia via nescio quod diximus paulo ante dicebas. 445 00:24:54,950 --> 00:24:59,986 Sic vos can map functiones unius argumenti super limites. 446 00:24:59,986 --> 00:25:02,860 CONNOR HARRIS: apud eundem, references nam Haskell-- introductory tradenda 447 00:25:02,860 --> 00:25:04,680 in hoc omnes. 448 00:25:04,680 --> 00:25:07,790 >> STEPHANUS KREWSON: Sic hic 'a pulchellus key line gradus sequencer 449 00:25:07,790 --> 00:25:12,820 tollemus filiam a inviso usura a list prehensionem sensus humani. 450 00:25:12,820 --> 00:25:17,810 Videmus hic elementum in certum operator retro quotes. 451 00:25:17,810 --> 00:25:23,030 Si x elementum lectus x, tunc puteus 'excitant perc functiones. 452 00:25:23,030 --> 00:25:25,100 Ita perc est iustus a functio percussionis. 453 00:25:25,100 --> 00:25:30,200 Assumit quod modicum p set ab omni parte loci 454 00:25:30,200 --> 00:25:35,310 diversis sonis percussionis vidimus superius dictum, 455 00:25:35,310 --> 00:25:38,840 et tunc illud quod dat duratio a parte note. 456 00:25:38,840 --> 00:25:43,190 Aliud autem dat illi QNR et QNR reliqua quarta est nota. 457 00:25:43,190 --> 00:25:44,970 >> Existimo ergo hoc bonum aedificationem aliquid nice. 458 00:25:44,970 --> 00:25:52,110 Nos index elementorum Puteus loop super aliquid list ab uno 459 00:25:52,110 --> 00:25:54,540 ad gradum valoris sequencer max. 460 00:25:54,540 --> 00:25:58,290 Et nos i in certo quod unum album max pretium 461 00:25:58,290 --> 00:26:02,970 i id est membrum set creati in hoc munus, 462 00:26:02,970 --> 00:26:06,040 Bene ergo nos avertet eam in percussione contrahant note. 463 00:26:06,040 --> 00:26:10,960 Alioqui ludere sicut cetera, quae est modo obnoxios silere. 464 00:26:10,960 --> 00:26:16,050 Et hoc videmus in loco hoc list comprehensio syntax, 465 00:26:16,050 --> 00:26:20,030 x est disseminatum per hoc list unam 466 00:26:20,030 --> 00:26:22,462 magnitudo ad global sequencer. 467 00:26:22,462 --> 00:26:23,295 CONNOR HARRIS: Yeah. 468 00:26:23,295 --> 00:26:26,340 Basic syntax pro list comprehensions est 469 00:26:26,340 --> 00:26:30,810 bracket, valorem involvat aliquod praetereat variabiles, bar, 470 00:26:30,810 --> 00:26:34,260 possibilis valores determinati variabilium se, clausis bracket. 471 00:26:34,260 --> 00:26:38,545 Et si youve 'perfectus artifex set notatio class aliquam in mathematicis, 472 00:26:38,545 --> 00:26:45,999 ut posuerunt 2n talia ut in n vel n z. 473 00:26:45,999 --> 00:26:48,290 Similar thing-- hoc notationem quae potest esse diligentissima suggerentes 474 00:26:48,290 --> 00:26:49,630 de mathematicis notatio. 475 00:26:49,630 --> 00:26:51,880 STEPHANUS KREWSON: Et non potes vincere applicare multiple praedicata 476 00:26:51,880 --> 00:26:56,250 et multiplex filters in a album cogitationem, quae est nice quod. 477 00:26:56,250 --> 00:27:01,800 Algebraica types-- nos non diu hic morari. 478 00:27:01,800 --> 00:27:04,840 Ibi est non boni notionem Haskell aut bonum, manifestum notion 479 00:27:04,840 --> 00:27:10,720 quam ut, verbi gratia, default parameter functioni vel. 480 00:27:10,720 --> 00:27:13,370 In Python, facile est. 481 00:27:13,370 --> 00:27:18,460 Vos can iustus dicere adiunctorum aequet on declaratio functionis, 482 00:27:18,460 --> 00:27:21,420 a default valor in ita non idem discretusque suppeditatur. 483 00:27:21,420 --> 00:27:27,010 >> In Haskell, maybe vos could uti maybe maybe type, 484 00:27:27,010 --> 00:27:32,190 quod fit aut nihil vel valor iustus a type. 485 00:27:32,190 --> 00:27:38,630 Ita et nos in hoc facinore ostentaret tympanum machina ut nobis dare ad libitum volume 486 00:27:38,630 --> 00:27:40,730 parametri unicuique tympanum partes. 487 00:27:40,730 --> 00:27:46,160 488 00:27:46,160 --> 00:27:54,680 Itaque modus habendi gignit EQ sive solidum quodam alveo. 489 00:27:54,680 --> 00:27:56,440 >> CONNOR HARRIS: In Haskell aliis exemplis, 490 00:27:56,440 --> 00:28:00,450 ut videre maybe pro functiones ut deficeret. 491 00:28:00,450 --> 00:28:03,470 Hoc est commune. 492 00:28:03,470 --> 00:28:07,010 >> STEPHANUS KREWSON: Et vos potest supplere defaltam aliqua erroris nuntius. 493 00:28:07,010 --> 00:28:11,020 Et in primis cum habilem vestri 'faciendo I / O in Haskell. 494 00:28:11,020 --> 00:28:12,044 Quod potest esse dolis. 495 00:28:12,044 --> 00:28:13,960 CONNOR HARRIS: aut enim a simile exemplum, puto 496 00:28:13,960 --> 00:28:17,460 a munere, quod sint divisa of a parameter quod esset 0. 497 00:28:17,460 --> 00:28:20,020 Et quod munus poterat reverti quicquid maybe. 498 00:28:20,020 --> 00:28:22,802 Si nulla divisio 0 revertetur quaecumque iusta. 499 00:28:22,802 --> 00:28:25,010 Et si non est divisio per 0, revertetur nihil 500 00:28:25,010 --> 00:28:26,910 ut via significantes error. 501 00:28:26,910 --> 00:28:30,330 Quia unus ex Haskell ipsa stricte typing 502 00:28:30,330 --> 00:28:34,100 est ut illic 'haud real-- exceptiones sunt inconvenientia, basically, 503 00:28:34,100 --> 00:28:36,160 error tractatio est inconveniens. 504 00:28:36,160 --> 00:28:39,440 Et hoc est valde communi modo faciendi. 505 00:28:39,440 --> 00:28:42,990 >> STEPHANUS KREWSON: Sic iam nos adepto ad naturam mentis alienae rei-flexuram 506 00:28:42,990 --> 00:28:49,160 de Haskell, quae est exemplar matching et munus definitiones remaneant illaesae. 507 00:28:49,160 --> 00:28:53,390 Slide in ostendi vobis quoniam in novissimo declarationem sequence ego morsque dividimur 508 00:28:53,390 --> 00:28:58,170 operatione consistat, quae accepit a maybe valorem, deinde an int, tunc a album of ints, 509 00:28:58,170 --> 00:29:03,850 tunc redit a serie musica valores ibi annotavit 510 00:29:03,850 --> 00:29:05,375 cum pice et volumen. 511 00:29:05,375 --> 00:29:08,030 512 00:29:08,030 --> 00:29:11,820 >> Illae igitur tres rationes possunt Item exemplum hoc modo. 513 00:29:11,820 --> 00:29:16,660 Et semper velle sit amet facere a basi casu seu exit primo casu. 514 00:29:16,660 --> 00:29:19,690 Et haec underscores can iustus interpretanda 515 00:29:19,690 --> 00:29:22,340 aliquo quod non est intelligendum. 516 00:29:22,340 --> 00:29:26,580 Si nobis ordine quodam ingredi cum ad modicum utilis, alterius cujusvis valoris, 517 00:29:26,580 --> 00:29:32,210 et vacua, quis velit Reddere est iustus silentium, a ceteris 0. 518 00:29:32,210 --> 00:29:35,110 >> Et pro eo sit inane list aut 0, 519 00:29:35,110 --> 00:29:38,150 ceteris suus 0, quia sumus commercio cum musica genus, 520 00:29:38,150 --> 00:29:43,230 inanem list musica type est iustus a ceteris non duratione. 521 00:29:43,230 --> 00:29:45,680 Suus 'non musica. 522 00:29:45,680 --> 00:29:51,460 Videmus ergo ut si ego morsque dividimur cum enim a sequence v volume argumentum, 523 00:29:51,460 --> 00:29:57,290 p caverant enim instrumentum ratio, et habebis summam x. 524 00:29:57,290 --> 00:29:58,360 >> Deinde nos, certe facere debueras effercio. 525 00:29:58,360 --> 00:30:01,290 In particulari, applicamus hoc list captui fidelium accommodati, 526 00:30:01,290 --> 00:30:05,700 et quedam etiam uisibiliter exhibere operationes in maybe value 527 00:30:05,700 --> 00:30:10,050 numerica valorem et convertendi in Enumerantur dein possit usus 528 00:30:10,050 --> 00:30:12,300 desumo instrumentum. 529 00:30:12,300 --> 00:30:16,730 Iterum, hoc est parum bit industria inconcise 530 00:30:16,730 --> 00:30:20,580 quae omnia modo fatum ut possis in Haskell 531 00:30:20,580 --> 00:30:23,170 Vide temet ipsum time. 532 00:30:23,170 --> 00:30:23,802 >> Omni jure. 533 00:30:23,802 --> 00:30:26,010 Ita et nos erant 'denique questus faciat quod facere instituunt, 534 00:30:26,010 --> 00:30:28,820 aliquam eu est musica. 535 00:30:28,820 --> 00:30:32,250 Sic erant 'iens ut tentaret facite Frere Jacques canticum. 536 00:30:32,250 --> 00:30:35,220 Ita sunt quot phrases in Frere Jacques? 537 00:30:35,220 --> 00:30:38,790 538 00:30:38,790 --> 00:30:39,680 Quattuor. 539 00:30:39,680 --> 00:30:40,460 Magna. 540 00:30:40,460 --> 00:30:42,490 Et quid suus 'nice is qui ipsi erant omnia repetita 541 00:30:42,490 --> 00:30:46,990 idem spatium temporis, quod est medium. 542 00:30:46,990 --> 00:30:50,730 >> Sic habemus quatuor phrases utrumque iterari duabus vicibus. 543 00:30:50,730 --> 00:30:53,590 Et maxime in rotundum haerent. 544 00:30:53,590 --> 00:30:55,340 Et multi sunt, multis modis ad effectum deducendi 545 00:30:55,340 --> 00:30:57,520 fun rotundum esse possent facere. 546 00:30:57,520 --> 00:31:00,260 Ego feci in ea a pulchellus simplex huc, 547 00:31:00,260 --> 00:31:05,760 quae est justa construct-- ad lineam munus sumit a album of music valores 548 00:31:05,760 --> 00:31:10,390 et ponet eam in sequential compositionem applicando illa compositio sequential 549 00:31:10,390 --> 00:31:13,000 operator. 550 00:31:13,000 --> 00:31:19,540 >> Deinde locis morari Incipiam a faciendo quiescere. 551 00:31:19,540 --> 00:31:22,770 Igitur exordium in duas reliquas, quadriennii requies et mensuris 552 00:31:22,770 --> 00:31:26,160 et tunc esset quies sex sata, et tunc rotunda 553 00:31:26,160 --> 00:31:32,290 agit, ut hoc omnes. 554 00:31:32,290 --> 00:31:37,180 Videmus duo vel annotationes modificationes musica valores 555 00:31:37,180 --> 00:31:43,150 quae continentur in hoc sequential dispositionem generis musicorum concinentibus elementis redditus extat. 556 00:31:43,150 --> 00:31:44,810 Habemus add volumine. 557 00:31:44,810 --> 00:31:48,960 This is a munere annotant numerus musicorum in particulari volumine. 558 00:31:48,960 --> 00:31:51,320 Hoc est bonum exemplum of a MIDI signum currit 559 00:31:51,320 --> 00:31:57,510 CXXVII ab 0 ad septem agnis indicium, quod possit deferri. 560 00:31:57,510 --> 00:32:00,650 >> Et then-- vidimus ipsum breviter, sed communi MIDI 561 00:32:00,650 --> 00:32:02,310 instrumenta omnia album. 562 00:32:02,310 --> 00:32:04,450 Non a universus sors illorum est. 563 00:32:04,450 --> 00:32:11,230 Si uti audio workstation digital, sicut Ableton Live vel Pro Tools, 564 00:32:11,230 --> 00:32:17,560 illic 'an incredibiliter amplioris extensionis of synthesizers et VST instrumenta. 565 00:32:17,560 --> 00:32:21,510 Sed solum vexillum MIDI breves vel plures duodecim. 566 00:32:21,510 --> 00:32:22,799 Et sunt nonnulli mauris. 567 00:32:22,799 --> 00:32:25,840 Si quidem esset fun lusimus instrumentum autem instrumentum MIDI 568 00:32:25,840 --> 00:32:30,550 helicopter, et tunc deinde per circuitum, 569 00:32:30,550 --> 00:32:37,980 codex synth fecimus, mox hoc corny plumbum quadrata synth unda, 570 00:32:37,980 --> 00:32:44,240 et tunc voce voraginem, quae sunt paucum indistincte mea malum MIDI 571 00:32:44,240 --> 00:32:46,410 synthesizer, sed OK. 572 00:32:46,410 --> 00:32:50,030 >> Et tunc videmus epistulam hanc et in syntax ex Haskell, 573 00:32:50,030 --> 00:32:54,030 et tunc erant 'lascivio harum omnium partium simul 574 00:32:54,030 --> 00:32:56,265 cum parallel compositionem operator. 575 00:32:56,265 --> 00:33:00,260 576 00:33:00,260 --> 00:33:02,296 Et fortasse hoc ostendat. 577 00:33:02,296 --> 00:33:07,674 578 00:33:07,674 --> 00:33:08,340 Hic 'code. 579 00:33:08,340 --> 00:33:14,960 Et hoc patet in C, esses multum faucibus defensionem occasusque 580 00:33:14,960 --> 00:33:19,760 mensa coram vobis signum posset cantici huius. 581 00:33:19,760 --> 00:33:22,080 Aut aliqua alia programming lingua, youd 'forsit 582 00:33:22,080 --> 00:33:27,210 ad quendam penitus library vel API et omnia set up, 583 00:33:27,210 --> 00:33:28,725 debuit deinde mundare. 584 00:33:28,725 --> 00:33:33,810 Hic autem Haskell Opinor quondam pendent ex ea tibi incredibili 585 00:33:33,810 --> 00:33:35,770 readable et significantia. 586 00:33:35,770 --> 00:33:38,930 587 00:33:38,930 --> 00:33:43,240 Factaque est exsecutionem of Jacques Frere. 588 00:33:43,240 --> 00:33:43,740 Omni jure. 589 00:33:43,740 --> 00:33:47,557 Nunc addere volumus percussione et hoc est paulo messier. 590 00:33:47,557 --> 00:33:49,015 Sic lets 'inspice et labitur. 591 00:33:49,015 --> 00:33:56,880 592 00:33:56,880 --> 00:34:00,540 Et ratio est, ut magna fasciculum digerendis partes. 593 00:34:00,540 --> 00:34:04,140 Iis-volumen in machinis, ibi maybe sunt typice circa octo 594 00:34:04,140 --> 00:34:08,670 ad X rhythm quasnam partes. 595 00:34:08,670 --> 00:34:10,159 Et tum fasciculum elit. 596 00:34:10,159 --> 00:34:14,889 Et weve communicaverunt de these-- usura rura, filters, lambda functiones, 597 00:34:14,889 --> 00:34:19,429 mapped super lists generare valores in range I r r XVI, 598 00:34:19,429 --> 00:34:20,699 XXXII gradus vel sequencer. 599 00:34:20,699 --> 00:34:23,810 600 00:34:23,810 --> 00:34:29,920 >> Et si in eo prodidit numero aestimanda est ut es sequencer discurrens, 601 00:34:29,920 --> 00:34:34,190 currit per illud etiam atque super hoc versatur circa nota 602 00:34:34,190 --> 00:34:36,060 et quod gets sample Urguet. 603 00:34:36,060 --> 00:34:42,810 604 00:34:42,810 --> 00:34:47,110 Hic sunt omnibus modis diversis Ridiculum Cum venissem ad generandum notis. 605 00:34:47,110 --> 00:34:48,940 Try is in vestri own semi summa. 606 00:34:48,940 --> 00:34:50,360 Itll tuba frigus. 607 00:34:50,360 --> 00:34:53,066 608 00:34:53,066 --> 00:34:54,690 Si tempus suppetierit, pergemus hanc. 609 00:34:54,690 --> 00:34:59,200 Sed nunc coniecto demo nos habemus. 610 00:34:59,200 --> 00:35:01,380 Et tristique felis hac sperare urna. 611 00:35:01,380 --> 00:35:02,670 >> Existimo ergo hoc bonum GHCI. 612 00:35:02,670 --> 00:35:06,580 613 00:35:06,580 --> 00:35:09,121 Et puteus oneratis a file Habeo song.lhs dicitur, 614 00:35:09,121 --> 00:35:10,620 lima quod ego feci vobiscum. 615 00:35:10,620 --> 00:35:11,470 OK magna. 616 00:35:11,470 --> 00:35:15,010 Connor sicut superius dictum est, illud compilavit, quod typus docentium arceatur, 617 00:35:15,010 --> 00:35:18,380 ego respiro facilisis. 618 00:35:18,380 --> 00:35:20,010 Suus 'non iens conflare mei. 619 00:35:20,010 --> 00:35:22,720 >> Ut ostendam in te mihi aliquid utile faciant. 620 00:35:22,720 --> 00:35:25,900 Vos can animadverto ut a moduli oneratisque rursum vocavit L. 621 00:35:25,900 --> 00:35:28,240 Vos can pasco quod module. 622 00:35:28,240 --> 00:35:32,092 Et hoc ideo est delicatus circa quod maybe doing-- 623 00:35:32,092 --> 00:35:34,550 vales in Haskell non dicitur software development, 624 00:35:34,550 --> 00:35:36,980 multum potes fun effercio in vestri own. 625 00:35:36,980 --> 00:35:42,410 Et workflow est vere nice quod multum prae aliis linguis 626 00:35:42,410 --> 00:35:45,872 Quia vidisti in vere readable modo quid suus 'iens in. 627 00:35:45,872 --> 00:35:47,830 Unde videmus quod habemus omnes harum locutionum, quae 628 00:35:47,830 --> 00:35:53,760 tabulae sunt sonorum musicorum concinentibus, et sic roboremus maiorem in modum, 629 00:35:53,760 --> 00:35:55,220 quae est a musica canticum. 630 00:35:55,220 --> 00:35:58,450 Suus 'a musicis unit. 631 00:35:58,450 --> 00:36:05,545 Et hoc possumus agere cum functio vocavit play music. 632 00:36:05,545 --> 00:36:09,040 Hic vides. 633 00:36:09,040 --> 00:36:11,310 Quod iustum est ludere. 634 00:36:11,310 --> 00:36:15,040 >> Inquam ego non loqui hoc pupa signum quod ubique. 635 00:36:15,040 --> 00:36:17,980 Pupa signum est alius infix operator. 636 00:36:17,980 --> 00:36:22,500 Sed minimum alphabetismi indicem habet praecedentiae alicuius operantis, quod nempe 637 00:36:22,500 --> 00:36:24,960 : quod significet quod omne in ab laeuo cornu pupa signum 638 00:36:24,960 --> 00:36:28,460 cium pupa signum quanquam erant 'iens impetro prius. 639 00:36:28,460 --> 00:36:31,430 Simile est igitur ista viam addendo parenthesis. 640 00:36:31,430 --> 00:36:33,980 641 00:36:33,980 --> 00:36:36,220 >> CONNOR HARRIS: Suus 'basically munus compositio. 642 00:36:36,220 --> 00:36:40,026 Et accidit ut ne si have-- habes functiones aut latus aut infix 643 00:36:40,026 --> 00:36:42,900 operariorum hinc nolunt commisceamini trans eius daboque vos 644 00:36:42,900 --> 00:36:46,030 improviso consequitur. 645 00:36:46,030 --> 00:36:49,790 >> STEPHANUS KREWSON: Sic can-- utentes possunt dici. 646 00:36:49,790 --> 00:36:51,415 Primum sine tympana ludet. 647 00:36:51,415 --> 00:37:00,330 648 00:37:00,330 --> 00:37:03,170 Ut 'helicopter, MIDI in helicopter. 649 00:37:03,170 --> 00:37:05,495 >> [MUSIC PLAYING] 650 00:37:05,495 --> 00:37:08,525 651 00:37:08,525 --> 00:37:09,525 Illic 'quadratum unda. 652 00:37:09,525 --> 00:37:24,520 653 00:37:24,520 --> 00:37:25,490 Voce voraginem iurat. 654 00:37:25,490 --> 00:37:27,630 Et potest hoc vere ire feras. 655 00:37:27,630 --> 00:37:30,872 Legi satis simplex, Non quia sciebam PRAEMORDEO 656 00:37:30,872 --> 00:37:31,830 magis quam potui ruminant. 657 00:37:31,830 --> 00:37:36,460 Iustus custodiunt illud pulchellus simplex ut ostenderet cunctis main ideas. 658 00:37:36,460 --> 00:37:39,952 Sed tunc simile diximus got nonnulla addere tympana hoc. 659 00:37:39,952 --> 00:37:41,910 Quia hoc est a paucum impenetrabile, 660 00:37:41,910 --> 00:37:45,790 et non uti Nomen autem drum partes, 661 00:37:45,790 --> 00:37:49,490 I mapped them-- quia haerent muri illius partem pausat enumerantur class, 662 00:37:49,490 --> 00:37:51,500 Ego ints mapped ad eos. 663 00:37:51,500 --> 00:37:53,120 Quasi unus chorus tympanum. 664 00:37:53,120 --> 00:37:54,370 Nulla est tam. 665 00:37:54,370 --> 00:37:56,000 Septenarius excelsum hat. 666 00:37:56,000 --> 00:38:00,920 Et descendit huc ubi munera modicum more temere 667 00:38:00,920 --> 00:38:02,100 hae sunt sicut conga tympanis. 668 00:38:02,100 --> 00:38:08,360 >> Itaque qui se existimat fortasse about-- fun via ad effectum deducendi apparatus tympanum 669 00:38:08,360 --> 00:38:12,830 est maxime per ordinem exemplaria in vestri bass drum. 670 00:38:12,830 --> 00:38:17,640 Ut puta filtering super list cum omne quod ingurgitata refundens 671 00:38:17,640 --> 00:38:20,590 a I IV moduli cum suus abstulit. 672 00:38:20,590 --> 00:38:27,190 Et ut I, V, IX, XIII, sic 17-- est primum pulsu omne pondus atque mensuram. 673 00:38:27,190 --> 00:38:32,860 >> Et hoc est idem res transferentium super duobus gradibus. 674 00:38:32,860 --> 00:38:33,850 Sic ut 'offbeat. 675 00:38:33,850 --> 00:38:37,480 Et hoc quidem competeret, vas quoddam velut linteum magnum hat. 676 00:38:37,480 --> 00:38:39,640 Tum iterum hic suus 'a parum incertum sagittam dirigens, 677 00:38:39,640 --> 00:38:41,080 quia nos discis conga tympanis. 678 00:38:41,080 --> 00:38:44,180 Et habeat aliquam maracas hic quoque. 679 00:38:44,180 --> 00:38:50,280 >> Sic posset ludere drum machinae rudenti contineatur, Atqui, si in infinitum 680 00:38:50,280 --> 00:38:53,700 et ut satus sursum grabbing omne enim in lectus. 681 00:38:53,700 --> 00:38:57,090 Ita ego te vocabo hoc munus agere, quos ut videbimus, 682 00:38:57,090 --> 00:39:02,020 uti truncating compositionem parallel ludere parvulis quoque nostris Frere Jacques canticum 683 00:39:02,020 --> 00:39:04,200 cum hoc Ridiculum drum apparatus. 684 00:39:04,200 --> 00:39:06,190 Sic lets inspice. 685 00:39:06,190 --> 00:39:10,920 Et placere emendare meum drum ordinationes omnium partium. 686 00:39:10,920 --> 00:39:13,375 Meum non proprium, sed multum fun faciendo. 687 00:39:13,375 --> 00:39:17,678 688 00:39:17,678 --> 00:39:20,654 >> [MUSIC PLAYING] 689 00:39:20,654 --> 00:39:52,260 690 00:39:52,260 --> 00:39:56,980 >> Et quidem haec omnia pauco non sicut fun 691 00:39:56,980 --> 00:40:01,100 si possumus non convertam eum, ad score sic maybe 692 00:40:01,100 --> 00:40:04,650 quae illud permitterent interpretari ab homine patrator. 693 00:40:04,650 --> 00:40:06,535 Quapropter et ego non sum turbatus huc. 694 00:40:06,535 --> 00:40:07,910 Iam generatur lima. 695 00:40:07,910 --> 00:40:10,280 Vos can animadverto ut illic ' et hoc dot LilyPond file-- 696 00:40:10,280 --> 00:40:14,500 eritis mihi in segue Connor-- et a dot file MIDI, 697 00:40:14,500 --> 00:40:18,610 PDF et dot, quod LilyPond ultimo generare. 698 00:40:18,610 --> 00:40:23,770 >> Haec autem scripta sunt, ut tibi placet iustus run eos options suos auxiliumque rogat. 699 00:40:23,770 --> 00:40:28,090 Et si quid his concurrentibus Euterpea, vos potest generare MIDI file. 700 00:40:28,090 --> 00:40:31,160 Et tunc ex MIDI file cum hoc MIDI 2LY progressio, 701 00:40:31,160 --> 00:40:34,930 vos potest generare Lily Pond file, et tunc 702 00:40:34,930 --> 00:40:37,974 PDF score potest generare. 703 00:40:37,974 --> 00:40:39,390 Est autem hic inspice. 704 00:40:39,390 --> 00:40:52,599 705 00:40:52,599 --> 00:40:55,140 Ita Connor mos forsit ostendere annotant, quomodo melius, 706 00:40:55,140 --> 00:41:02,570 sed hoc est sicut Frere Jacques generatur a me in Euterpea. 707 00:41:02,570 --> 00:41:07,300 Suus 'iustus figuratum C. debuissem quid suus 'vere gratis in. 708 00:41:07,300 --> 00:41:11,090 Verum illud est quam ob pipeline quemadmodum illi faciunt. 709 00:41:11,090 --> 00:41:12,950 Lets loqui more about LilyPond. 710 00:41:12,950 --> 00:41:15,780 >> CONNOR HARRIS: OK videamus. 711 00:41:15,780 --> 00:41:19,480 712 00:41:19,480 --> 00:41:21,419 Did vos commemorare Learn Haskell tu? 713 00:41:21,419 --> 00:41:22,460 STEPHANUS KREWSON: Oh yeah. 714 00:41:22,460 --> 00:41:23,480 Reprehendo sicco Learn Haskell You. 715 00:41:23,480 --> 00:41:24,410 Suus 'in eorum opibus subleventur. 716 00:41:24,410 --> 00:41:26,830 Ut 'quam coepi discentes et magna. 717 00:41:26,830 --> 00:41:27,580 Non mutum discendoque deterrent. 718 00:41:27,580 --> 00:41:28,829 >> CONNOR HARRIS: Sic suus 'online. 719 00:41:28,829 --> 00:41:34,760 Ita a guy nomine [tacita] learnyouahaskell.com, nec sunt spatia. 720 00:41:34,760 --> 00:41:37,065 Grammatica infirmatur. 721 00:41:37,065 --> 00:41:38,690 STEPHANUS KREWSON: Suus 'illustrata nimis. 722 00:41:38,690 --> 00:41:39,440 CONNOR HARRIS: Quid est LilyPond? 723 00:41:39,440 --> 00:41:42,480 Suus 'a enuntiativum programming lingua enim musica typesetting. 724 00:41:42,480 --> 00:41:45,480 Ita declarative-- potes cogitant de rebus quasi HTML, 725 00:41:45,480 --> 00:41:50,900 ubi non es saying-- HTML non debuit dicere web navigatores 726 00:41:50,900 --> 00:41:52,180 reddere pages gradus. 727 00:41:52,180 --> 00:41:54,096 Suus 'iustus hoc est textualis description 728 00:41:54,096 --> 00:41:56,100 quod vis paginam spectare. 729 00:41:56,100 --> 00:41:59,310 >> Tunc etiam protracta quod compiles perfecteque hac lingua, 730 00:41:59,310 --> 00:42:02,300 aut legere, et tunc actualiter facit typesetting pro vobis, 731 00:42:02,300 --> 00:42:05,570 et ex his homo jecerit mira vultus PDF ustulo. 732 00:42:05,570 --> 00:42:08,250 Vos can quoque adepto PNG sive forma. 733 00:42:08,250 --> 00:42:10,300 A via bona cogitare hoc est, per analogian nostri 734 00:42:10,300 --> 00:42:16,620 quod est quasi amo LaTeX LillyPond, sed mediocris typesetting. 735 00:42:16,620 --> 00:42:20,360 Quin potius suus 'non of-- WYSIWYG dicentis: Quod vides 736 00:42:20,360 --> 00:42:22,960 Quod si vos adepto ut dicunt Finale est, vel Sibelius, 737 00:42:22,960 --> 00:42:27,430 Microsoft vel qua in can typus reale tempus, et tempus res in esse reali capturam 738 00:42:27,430 --> 00:42:31,340 et videte subito mutationes. 739 00:42:31,340 --> 00:42:32,140 >> Sed contra est quod text fundatur. 740 00:42:32,140 --> 00:42:35,290 Vos have ut compilare vestris scores usura a separate progressio 741 00:42:35,290 --> 00:42:37,090 et exi PDFs postea. 742 00:42:37,090 --> 00:42:43,320 Hoc est aliquantulus minus usui si vestri ' 743 00:42:43,320 --> 00:42:46,520 trying ut scribere directe in score et tu 744 00:42:46,520 --> 00:42:48,620 componere nititur in turpis. 745 00:42:48,620 --> 00:42:50,830 Sed illic es multus commoda pro ea. 746 00:42:50,830 --> 00:42:56,110 Unum tamen multum melior vultu, quia non potest esse LillyPond 747 00:42:56,110 --> 00:42:58,210 tantas moras facere layout decisiones proprie, 748 00:42:58,210 --> 00:43:02,380 dissimilis Sibelius vel Gloria, quae sic ut praesens violer algorithms 749 00:43:02,380 --> 00:43:05,020 quod exhibere possit, tempus res in esse reali. 750 00:43:05,020 --> 00:43:07,660 >> Cur ergo LilyPond-- computatrum graphics est difficile. 751 00:43:07,660 --> 00:43:10,535 Si tibi quicquam musicae vis perscribere eros 752 00:43:10,535 --> 00:43:13,900 te nolo scribere omnia per ipsum 753 00:43:13,900 --> 00:43:19,040 incipiens quomodo ad hauriendam aquam virgas et quomodo ad hauriendam Notepads. 754 00:43:19,040 --> 00:43:21,020 Suus 'valde difficile. Suus 'est factum. 755 00:43:21,020 --> 00:43:22,170 Tu fine. 756 00:43:22,170 --> 00:43:26,200 >> Si volo utor finale sive Sibelius, lima forma pro ea 757 00:43:26,200 --> 00:43:30,180 admodum complicatis, et non vere utor eos programmatically. 758 00:43:30,180 --> 00:43:35,020 Lassus patere potest in Missa ite Lima, text Export ipsum 759 00:43:35,020 --> 00:43:37,600 sed non potestis portare modo realiter quod vocant a script. 760 00:43:37,600 --> 00:43:40,440 LillyPond, possis dicere ab iis scripts. 761 00:43:40,440 --> 00:43:44,397 Tu facile posses iterate LillyPond cum LaTeX. 762 00:43:44,397 --> 00:43:47,230 Nolo ire ultum in his Technologies vox iam, 763 00:43:47,230 --> 00:43:48,321 sed ea quae sunt. 764 00:43:48,321 --> 00:43:50,070 Si autem vis ad respice LillyPond in libro, 765 00:43:50,070 --> 00:43:53,760 illud quod fit progressio tuum LillyPond distributio, 766 00:43:53,760 --> 00:43:57,030 et suus 'pro iterating LillyPond superaverunt fragmenta in LaTeX 767 00:43:57,030 --> 00:44:00,340 Si autem vis ad aliquid agendum quasi magnus musicology document 768 00:44:00,340 --> 00:44:02,289 quo facilius propositis exemplis, pro exemplo. 769 00:44:02,289 --> 00:44:04,580 Quod suus 'bonus scientiam life si vos aliquid discis 770 00:44:04,580 --> 00:44:05,770 symphonia non CS50. 771 00:44:05,770 --> 00:44:09,320 Ive 'solebat LillyPond pro omnibus compositionis inceptis 772 00:44:09,320 --> 00:44:11,880 quia ego iratus sum basically a senior in alta schola. 773 00:44:11,880 --> 00:44:13,455 >> Hic es nonnullus simplex exempla. 774 00:44:13,455 --> 00:44:17,490 775 00:44:17,490 --> 00:44:21,060 Hoc est basically repraesentativum campester of difficultas 776 00:44:21,060 --> 00:44:23,481 ut plurimus populus utinam faciem sunt trying 777 00:44:23,481 --> 00:44:24,980 uti LilyPond pro simplici inceptis. 778 00:44:24,980 --> 00:44:29,519 Hoc primum unum est principium praeludium ad chorale, gratia. 779 00:44:29,519 --> 00:44:31,810 Imo hoc est an excerpt unum de operibus suis 780 00:44:31,810 --> 00:44:34,650 ut ostendatur quod suus 'iustus tibi similia [tacita] 781 00:44:34,650 --> 00:44:38,550 posito multiple lines in eodem baculum, quomodo lyric undersetting operatur. 782 00:44:38,550 --> 00:44:41,350 783 00:44:41,350 --> 00:44:46,110 Lyric underlays sint res ipsum securus utor LilyPond ad music. 784 00:44:46,110 --> 00:44:48,814 >> Ideo ergo ibi aliqui complicated exempla hic. 785 00:44:48,814 --> 00:44:50,980 Omnia haec fiunt in LilyPond et haerent factibilis. 786 00:44:50,980 --> 00:44:55,280 Hoc primum est ex excerpt [Tacita] a [tacita]. 787 00:44:55,280 --> 00:44:58,860 Et hoc [tacita] ex a piece pro solo bass 788 00:44:58,860 --> 00:45:03,550 fistulæ a [tacita], qui est qui a longtime-- 789 00:45:03,550 --> 00:45:07,101 erat a longtime membrum genere musicorum reor. 790 00:45:07,101 --> 00:45:08,600 Im 'non certus ubi descendit ad Pilatum. 791 00:45:08,600 --> 00:45:12,410 At is quidem fuit auctor Harvard Consociationis Composers diu. 792 00:45:12,410 --> 00:45:13,530 Mirabili viro. 793 00:45:13,530 --> 00:45:16,920 Musicen autem habet aliquid scribit complicated quod notatio LillyPond 794 00:45:16,920 --> 00:45:20,500 potest tamen tenentes ipsum nicely. 795 00:45:20,500 --> 00:45:26,030 >> Sicut sensus dare huius rei capabilities are-- ita 796 00:45:26,030 --> 00:45:28,960 interna LillyPond admodum complicatis. 797 00:45:28,960 --> 00:45:31,060 Et vos can utor eam quod multo tempore magiis possidet 798 00:45:31,060 --> 00:45:32,520 pro aliqua pulchellus complicated quae, sine realiter 799 00:45:32,520 --> 00:45:34,060 cum multum scire posset. 800 00:45:34,060 --> 00:45:38,720 Quia quod notum est ex idea infimis atomis LillyPonds 801 00:45:38,720 --> 00:45:39,970 sunt notae. 802 00:45:39,970 --> 00:45:42,761 Sonorum continent context vocantur voces. 803 00:45:42,761 --> 00:45:44,510 Ita vocem context basically correspondet 804 00:45:44,510 --> 00:45:47,410 ad unam lineam polyphony. 805 00:45:47,410 --> 00:45:49,410 Et tunc potest esse context continetur hierarchice 806 00:45:49,410 --> 00:45:53,590 istis qui in superiori gradu repraesentant virgas in score 807 00:45:53,590 --> 00:45:56,750 aut maioris amplitudinis quasi groupings piano virgas vel chorus virgas, 808 00:45:56,750 --> 00:45:58,990 ac tum demum totius score contextibus. 809 00:45:58,990 --> 00:46:02,260 Et vos can vere circumdabit multiple ustulo scribentes in volumine. 810 00:46:02,260 --> 00:46:05,770 >> Et omne donum habet a context numerus attachiatus inclusorem. 811 00:46:05,770 --> 00:46:08,340 Si spectes per contenta in context 812 00:46:08,340 --> 00:46:14,410 aut quoddam signum procer Symbolum quoddam genus est necessarium. 813 00:46:14,410 --> 00:46:17,840 Ita ad omnem vocem turbabuntur contextu illic '[tacita] notes 814 00:46:17,840 --> 00:46:24,270 scalpendum est basically functionem ab obiecto quod scribit de omnibus note 815 00:46:24,270 --> 00:46:26,290 page dextra capitis partes. 816 00:46:26,290 --> 00:46:29,510 Tunc illic 'a foramine sculptoris, quae scribit de cavernis in virgam. 817 00:46:29,510 --> 00:46:31,517 Tunc illic 'a metronome signum quod sculptoris 818 00:46:31,517 --> 00:46:33,100 scribit de metronome marcas in a score. 819 00:46:33,100 --> 00:46:36,410 Et hi omnes testimonio fit pulchellus bene in hierarchicae auctoritatis exsequerentur. 820 00:46:36,410 --> 00:46:39,500 Quod suus nimis valde customizable, quod vos postulo 821 00:46:39,500 --> 00:46:42,880 Si uis huiusmodi. 822 00:46:42,880 --> 00:46:45,730 >> Venerunt ergo omnes majores contextibus habere multum diversa attributa 823 00:46:45,730 --> 00:46:52,410 quod potest determinare ly omnia ex variis font size 824 00:46:52,410 --> 00:46:54,942 electionem moles rerum. 825 00:46:54,942 --> 00:46:56,900 Si vis facere etiam quae eo magis complicatas, 826 00:46:56,900 --> 00:46:59,210 illic 'an immersa scripting lingua. 827 00:46:59,210 --> 00:47:01,820 Utuntur machinemur, quam est dialecto LISP. 828 00:47:01,820 --> 00:47:04,960 Haec probabiliter non dico vobis aliquid dixerit. 829 00:47:04,960 --> 00:47:06,900 Sed basically, a machinemur alterius muneris 830 00:47:06,900 --> 00:47:09,500 programming lingua magis et minus. 831 00:47:09,500 --> 00:47:10,800 >> STEPHANUS KREWSON: The colligationem-in. 832 00:47:10,800 --> 00:47:12,690 >> CONNOR HARRIS: Yeah. 833 00:47:12,690 --> 00:47:15,390 Praesent in nexum bonam puto. 834 00:47:15,390 --> 00:47:20,150 Et suus uti docendi linguam actu, descendit Mass Ave. At MIT. 835 00:47:20,150 --> 00:47:26,590 Et suus 'valde habiles LillyPond propter varias technicas rationes. 836 00:47:26,590 --> 00:47:30,317 >> Si ergo vis simplex tweaks dependent on conditionalis, 837 00:47:30,317 --> 00:47:32,900 quia illic 'aliqua example-- conditionem a score quod suus 'occurrit, 838 00:47:32,900 --> 00:47:36,495 ad faciendum vicissitudinum permutationes layout vel whatnot-- tunc 839 00:47:36,495 --> 00:47:37,620 illi facultatem sunt ibi. 840 00:47:37,620 --> 00:47:38,667 Haerent voluptua. 841 00:47:38,667 --> 00:47:40,250 Ita codice hic sample pulchellus simplex. 842 00:47:40,250 --> 00:47:43,810 Suus 'quinque lineae. 843 00:47:43,810 --> 00:47:46,120 Basically, Im definienda mihi duas virgas. 844 00:47:46,120 --> 00:47:46,904 Suus '3/4 in. 845 00:47:46,904 --> 00:47:48,695 Primum baculo habet attachiatus tempo destinatum persequor, 846 00:47:48,695 --> 00:47:51,110 sed quod suus 'vere iens ire totius score, 847 00:47:51,110 --> 00:47:54,960 quia tempo marcas sunt in score gradu. 848 00:47:54,960 --> 00:47:59,044 The metronome caracterem sculptoris attachiatus ad ustulo context. 849 00:47:59,044 --> 00:48:01,460 Diversae sunt claves, quia [tacita] sculptoris 850 00:48:01,460 --> 00:48:02,710 adnectitur virgas. 851 00:48:02,710 --> 00:48:04,441 Vos can vere operor est. 852 00:48:04,441 --> 00:48:06,190 In sample scripsi est actu in C major, 853 00:48:06,190 --> 00:48:07,990 sed suus 'iustus demonstrare possis habere 854 00:48:07,990 --> 00:48:09,570 diversas claves diversis in baculis. 855 00:48:09,570 --> 00:48:15,710 Et fundamentum est syntax scribis nota nomina E, F, G, est. 856 00:48:15,710 --> 00:48:18,910 Si vis aliqua accidentalia, vos suffix is ​​vel ES. 857 00:48:18,910 --> 00:48:22,640 Hoc est a Teutonicis musicological conventions. 858 00:48:22,640 --> 00:48:28,290 >> Et ad octavam salit ad te haec tick marcarum, vel comma apostrophe. 859 00:48:28,290 --> 00:48:30,580 Relativum justis modis praestante Domino quae habes a note, 860 00:48:30,580 --> 00:48:34,080 erit in futura plaec proxima superiore diapason. 861 00:48:34,080 --> 00:48:37,624 Si vis plus illico a fifth-- dico quintam aut more-- 862 00:48:37,624 --> 00:48:39,165 Habes uti [tacita]. 863 00:48:39,165 --> 00:48:42,580 Sed aliud est non habere specificare octabis singulis note. 864 00:48:42,580 --> 00:48:46,130 >> Relative et C, robur et C, vos iustus specificare medium C 865 00:48:46,130 --> 00:48:48,630 et base C, praesertim in primo carmine. 866 00:48:48,630 --> 00:48:55,020 Tunc habes haec virgas ut organize his duabus vocibus vel exemplaria generis musicorum concinentibus, 867 00:48:55,020 --> 00:48:56,730 habetisque score. 868 00:48:56,730 --> 00:48:58,440 Et quod spectat sicut est hodie. 869 00:48:58,440 --> 00:49:01,780 870 00:49:01,780 --> 00:49:05,380 >> Si vis ad tempus effingo quod specimenque LillyPond 871 00:49:05,380 --> 00:49:07,530 signum in priore slide hic, et 872 00:49:07,530 --> 00:49:09,030 potest enim scribimus LillyPond teipsum. 873 00:49:09,030 --> 00:49:11,280 Scio weve 'got aliquid quod spectat multum placet. 874 00:49:11,280 --> 00:49:17,236 875 00:49:17,236 --> 00:49:19,610 Sic illic 'alius technology Musica dicitur XML servetur 876 00:49:19,610 --> 00:49:22,030 prorsus aliter. 877 00:49:22,030 --> 00:49:28,150 XML est textualis data structure-- I Ne dicas data structure-- dico 878 00:49:28,150 --> 00:49:29,580 metaphora sort of map. 879 00:49:29,580 --> 00:49:33,800 Quod suus disposuerat tenere data hierarchicis optime. 880 00:49:33,800 --> 00:49:37,050 HTML, ut typum XML. 881 00:49:37,050 --> 00:49:41,090 Et quia non potes indicare XML omnes anguli recti et uncis 882 00:49:41,090 --> 00:49:44,700 bracket VULNUS marcas qui ostendunt data agris. 883 00:49:44,700 --> 00:49:47,390 >> Ego non habent signum exemplum de Musica XML. 884 00:49:47,390 --> 00:49:50,450 Vos can reperio illud. 885 00:49:50,450 --> 00:49:53,735 Plerumque, quod speres uti et intermedias XML 886 00:49:53,735 --> 00:49:55,980 sit primum illud municatio format 887 00:49:55,980 --> 00:50:02,301 nam basically every-- Haec ego non dicerem Omnis autem alia multa score 888 00:50:02,301 --> 00:50:02,800 scriptores. 889 00:50:02,800 --> 00:50:04,966 Ita si scripseris in Music XML, non solum potest LillyPond 890 00:50:04,966 --> 00:50:08,080 Hac legeret auxilary Musica XML progressio vocavit ad LY, 891 00:50:08,080 --> 00:50:11,360 sed etiam finale vales scripturam legere, illud Lassus legerit eum. 892 00:50:11,360 --> 00:50:14,770 Fretus quomodo internum obiectum hierarchia operatur ad repraesentandum music, 893 00:50:14,770 --> 00:50:18,820 facilior esset perscribere Music XML quam LillyPond 894 00:50:18,820 --> 00:50:22,410 et iustus confidunt in Musica XML ut ad conversionem LY. 895 00:50:22,410 --> 00:50:24,282 >> Non puto [tacita] habet Musica XML. 896 00:50:24,282 --> 00:50:25,490 STEPHANUS KREWSON: It does not. 897 00:50:25,490 --> 00:50:26,340 Aliquis laborare, licet. 898 00:50:26,340 --> 00:50:27,090 >> CONNOR HARRIS: OK. 899 00:50:27,090 --> 00:50:31,040 Euterpea non habet Musica XML output munus tamen. 900 00:50:31,040 --> 00:50:35,340 Si vis finalis project idea maybe adepto in tactus cum guys 901 00:50:35,340 --> 00:50:38,620 quod predictus Stephanus cognovit, et uti possent auxilium tuum. 902 00:50:38,620 --> 00:50:40,992 >> STEPHANUS KREWSON: tecum vivere amem, quod. 903 00:50:40,992 --> 00:50:43,450 CONNOR HARRIS: Item, basically, omne Aliquam libero 904 00:50:43,450 --> 00:50:46,610 quod valet sal eius iam habet XML library, 905 00:50:46,610 --> 00:50:51,030 sic vos can interne omnia conuertere of cantica vestra in aliquod obiectum 906 00:50:51,030 --> 00:50:54,120 quod XML library potest scribere quod esset requiram pauciores 907 00:50:54,120 --> 00:50:57,470 vicissitudinum permutationes to your interno structura nam quicquid musica obiecta vobis 908 00:50:57,470 --> 00:51:00,310 volo scribere quam scribit: directe in LillyPond noluit. 909 00:51:00,310 --> 00:51:04,380 Tunc iustus procer extendit normam formavit illud cum XML XML linguam in bibliothecas delegaverat, 910 00:51:04,380 --> 00:51:07,260 qui spondeat eundem, suus ' syntaxi rectam et omnia, 911 00:51:07,260 --> 00:51:08,720 et tunc convertam ad LillyPond. 912 00:51:08,720 --> 00:51:11,060 Vos vires volo ut technology inspicias si quid facias 913 00:51:11,060 --> 00:51:11,650 sicut hoc. 914 00:51:11,650 --> 00:51:14,490 915 00:51:14,490 --> 00:51:16,370 >> [Tacita], alterum auxilarry technology. 916 00:51:16,370 --> 00:51:21,700 Hoc est basically Tech Works aut Tech Studio enim LillyPond. 917 00:51:21,700 --> 00:51:25,380 Ita praebet auxilium syntax, cum templates 918 00:51:25,380 --> 00:51:28,770 communi pro variis combinationes instrumenta. 919 00:51:28,770 --> 00:51:32,780 Licentiam opinionum praveque factorum split screen viewing ita fenestram in codicem habere possis 920 00:51:32,780 --> 00:51:37,350 et per fenestram in alio PDF click in locis in PDF 921 00:51:37,350 --> 00:51:40,650 salire ad pertineret maculis in vestri radix code. 922 00:51:40,650 --> 00:51:45,330 Quod si tu etiam utilius scripturam LillyPond files te 923 00:51:45,330 --> 00:51:47,400 quam si vestri 'generando eos programmatically. 924 00:51:47,400 --> 00:51:51,230 Rursum vero, quod suus ' aliquid utile habere. 925 00:51:51,230 --> 00:51:51,970 >> Magna. 926 00:51:51,970 --> 00:51:55,860 Alius resources-- ibo iustus per hoc quod tam cito declinamus. 927 00:51:55,860 --> 00:52:01,270 LillyPond manuals-- LillyPond habet excellent documenta in website. 928 00:52:01,270 --> 00:52:02,270 Habent consequat. 929 00:52:02,270 --> 00:52:03,478 Habent syntax reference. 930 00:52:03,478 --> 00:52:07,010 Habent centena snippets pro variis rebus parva 931 00:52:07,010 --> 00:52:09,930 yo vires postulo facere sustentatione Dei ad ostensionem variis facultatibus variae. 932 00:52:09,930 --> 00:52:12,250 Si volo utor scripting in lingua 933 00:52:12,250 --> 00:52:14,740 aut facite latius customizations, tunc illic ' 934 00:52:14,740 --> 00:52:16,730 interna reference at quod URL. 935 00:52:16,730 --> 00:52:21,950 Si vis musicam XML illic ' quod URL, musicxml.com/tutorial. 936 00:52:21,950 --> 00:52:27,960 >> Et si consilium discendum quia vos vere volo ut uti 937 00:52:27,960 --> 00:52:30,960 et facultatem in scripting LillyPond, tunc illic 'a [tacita] dicitur 938 00:52:30,960 --> 00:52:32,918 Exstructa Interpretation of Computer Programs, 939 00:52:32,918 --> 00:52:35,820 quae non solum secundo maximo semper CS textbook written-- 940 00:52:35,820 --> 00:52:39,770 Si vis scire me postea Puto quod maxima is-- 941 00:52:39,770 --> 00:52:43,580 Etiam sed ipsum Introductio ad linguam propriam. 942 00:52:43,580 --> 00:52:46,630 Non eritis vos qui plus primis sectiones. 943 00:52:46,630 --> 00:52:47,827 >> Et ut 'eam. 944 00:52:47,827 --> 00:52:48,410 Quis quaestiones? 945 00:52:48,410 --> 00:52:54,068 946 00:52:54,068 --> 00:52:57,972 >> DISCIPULUS: Ubi possum download tuum generatur Frere Jacques 947 00:52:57,972 --> 00:53:01,050 et ponam oculos meos posuit iPod 948 00:53:01,050 --> 00:53:07,574 >> STEPHANUS KREWSON: Bene, vos can scribere ad aliquam file hue in Euterpea. 949 00:53:07,574 --> 00:53:08,490 Sed vos unctionem habetis code. 950 00:53:08,490 --> 00:53:10,000 Suus 'super GitHub. 951 00:53:10,000 --> 00:53:15,590 Planto vestri own variationes Frere by Jacques CS50 alveare mentis. 952 00:53:15,590 --> 00:53:17,095 Magna esset. 953 00:53:17,095 --> 00:53:18,220 CONNOR HARRIS: quicumque aliud? 954 00:53:18,220 --> 00:53:20,261 STEPHANUS KREWSON: We need drum tenor melius est. 955 00:53:20,261 --> 00:53:21,935 Suus 'vere malum. 956 00:53:21,935 --> 00:53:26,565 >> DISCIPULUS: Euterpea non solum compositionem angustiamur aporiamur sed signal-- 957 00:53:26,565 --> 00:53:27,440 STEPHANUS KREWSON: Etiam. 958 00:53:27,440 --> 00:53:30,100 In facto, opus fecit in Euterpea cum 959 00:53:30,100 --> 00:53:33,450 Tulit Teraho illic 'a graduate cursus at quod Yale 960 00:53:33,450 --> 00:53:35,900 utitur it-- erat synthesis sonus. 961 00:53:35,900 --> 00:53:39,810 Sic illic 'a vere nice via usura sagittas 962 00:53:39,810 --> 00:53:46,150 et quidam ex notatione vidimus of componendo simul signum functiones. 963 00:53:46,150 --> 00:53:50,610 Praesertim pluribus Bassus eorum est simplex sine aqua. 964 00:53:50,610 --> 00:53:54,240 Sed si vos satus componendo illis Ridiculum programmatic in viis eius 965 00:53:54,240 --> 00:54:00,010 vos can adepto insanis sani effectus, sicut Ridiculum cascades. 966 00:54:00,010 --> 00:54:04,640 Vos potest creare ipsum lapidosum vocabat multum sonant modulatis. 967 00:54:04,640 --> 00:54:07,730 >> Feci prominentia montium granular synthesis, quod est 968 00:54:07,730 --> 00:54:12,290 et alicubi inter sampling FM. 969 00:54:12,290 --> 00:54:15,230 Accipies pro minimo, parum samples, et tunc 970 00:54:15,230 --> 00:54:20,440 ea cogenda cum aliqua modulator et aedificabo in generationem et uberiorem sonus. 971 00:54:20,440 --> 00:54:24,900 Nos etiam corporis sculpturae, ita trying cogitare de physica 972 00:54:24,900 --> 00:54:29,410 et aliquid quasi psychoacoustics bucina modo cogitatione 973 00:54:29,410 --> 00:54:32,320 sonus GRAVIS off campana tubae 974 00:54:32,320 --> 00:54:35,200 et de acoustics locus et sculpturae 975 00:54:35,200 --> 00:54:40,195 quod cum basic oscillators. 976 00:54:40,195 --> 00:54:47,690 977 00:54:47,690 --> 00:54:48,940 CONNOR HARRIS gratias tanti. 978 00:54:48,940 --> 00:54:50,140 Tibi gratias ago pro adventu. 979 00:54:50,140 --> 00:54:52,400 Et ego semper sanitatem actu voluit, ut accipere quaestiones email-- 980 00:54:52,400 --> 00:54:55,020 connorharris@college.harvard.edu. 981 00:54:55,020 --> 00:54:57,020 >> STEPHANUS KREWSON: Yeah. stephen.krewson@yale.edu. 982 00:54:57,020 --> 00:54:58,810 983 00:54:58,810 --> 00:55:00,360 Frigus. 984 00:55:00,360 --> 00:55:01,667